Signed, and dated on the upper left, titled, dated and countersigned on the reverse
Drawing
65 x 50 cm
Victor Laks's drawing promises to be an emergence phenomenon, not born but born. It is decoding, deconstruction of code which, from the start, turns around to become encryption for another stranger. Take everything away, that still-unassigned; there, figures that make up the lines of buried forces, the surge of stifled conflicts and the knots of desires. The contradictions thus betrayed are amused in the acute dialectic of black and white (denial of gray), of the fixed and the moving (refusal of the immobile), of the full and the void (horror of the void). Imperative postulate of the baroque when the movement dooms the forms to tireless metamorphoses, to expansions which, as if to disavow the limits of the constraining sheet, throw the dimensions adrift. Swirls. Loops and tendrils, sinuses and spirals. Vortex. Dizziness of an imagination drunk with space: to see in their flight the lines of the drawing embracing the universe. Space of the sheet, space of a present, space of an instant ... Mirror sheets too, surfaces capturing chimeras reflections of ephemeral evidence. Multiplied, they confirm, combine, exchange in continuous progress their words to signify and to sign a quest which, without outcome or prologue, returns to its object only to lose it, pursue it again.
Jean-Clarence Lambert in "Victor Laks - feuilles de Présence" - Galerie Christiane Colin, November-December 1975 - Paris
1 800,00 €
Signed and dated lower left, countersigned and dated on the reverse.
Painting
65,5 x 92 cm
Signed and dated lower left
Painting
130 x 195 cm
Signed and dated lower right, titled, dated and countersigned on the reverse
Oil on canvas
116 x 89 cm
'Know the painting of Victor Laks' Jacques Dopagne, 1980 Reproduced p.21 (8)
Victor Laks (1924-2011) “Vegetal green, August 1960” Oil on canvas 116 x 89 cm Signed and dated lower right, titled, dated and countersigned on the reverse
Bibliography: "Know the painting of Victor Laks" Jacques Dopagne , 1980 Reproduced p.21 (8)
Signed and dated lower right
Drawing
76 x 56 cm
signed and dated at the bottom left, countersigned, titled, dated and located on the reverse
drawing
32 x 26,5 cm
Artist's studio
500,00 €
Signed at the bottom center and dated at the bottom right, titled, dated and countersigned on the reverse
Ink and ink wash on handmade paper
65 x 50 cm
1 800,00 €
Signed at the bottom center and dated at the bottom right, titled, dated and countersigned on the reverse
Ink and ink wash on handmade paper
65 x 50 cm
1 800,00 €
Signed, and dated on the upper left, titled, dated and countersigned on the reverse
Drawing
65 x 50 cm
Victor Laks's drawing promises to be an emergence phenomenon, not born but born. It is decoding, deconstruction of code which, from the start, turns around to become encryption for another stranger. Take everything away, that still-unassigned; there, figures that make up the lines of buried forces, the surge of stifled conflicts and the knots of desires. The contradictions thus betrayed are amused in the acute dialectic of black and white (denial of gray), of the fixed and the moving (refusal of the immobile), of the full and the void (horror of the void). Imperative postulate of the baroque when the movement dooms the forms to tireless metamorphoses, to expansions which, as if to disavow the limits of the constraining sheet, throw the dimensions adrift. Swirls. Loops and tendrils, sinuses and spirals. Vortex. Dizziness of an imagination drunk with space: to see in their flight the lines of the drawing embracing the universe. Space of the sheet, space of a present, space of an instant ... Mirror sheets too, surfaces capturing chimeras reflections of ephemeral evidence. Multiplied, they confirm, combine, exchange in continuous progress their words to signify and to sign a quest which, without outcome or prologue, returns to its object only to lose it, pursue it again.
Jean-Clarence Lambert in "Victor Laks - feuilles de Présence" - Galerie Christiane Colin, November-December 1975 - Paris
1 800,00 €
Signed and dated lower left, countersigned and dated on the reverse.
Painting
65,5 x 92 cm
Signed and dated lower left
Painting
130 x 195 cm
Signed and dated lower right, titled, dated and countersigned on the reverse
Oil on canvas
116 x 89 cm
'Know the painting of Victor Laks' Jacques Dopagne, 1980 Reproduced p.21 (8)
Victor Laks (1924-2011) “Vegetal green, August 1960” Oil on canvas 116 x 89 cm Signed and dated lower right, titled, dated and countersigned on the reverse
Bibliography: "Know the painting of Victor Laks" Jacques Dopagne , 1980 Reproduced p.21 (8)
Signed and dated lower right
Drawing
76 x 56 cm
signed and dated at the bottom left, countersigned, titled, dated and located on the reverse
drawing
32 x 26,5 cm
Artist's studio
500,00 €
Signed at the bottom center and dated at the bottom right, titled, dated and countersigned on the reverse
Ink and ink wash on handmade paper
65 x 50 cm
1 800,00 €
Signed, and dated on the upper left, titled, dated and countersigned on the reverse
Drawing
65 x 50 cm
Victor Laks's drawing promises to be an emergence phenomenon, not born but born. It is decoding, deconstruction of code which, from the start, turns around to become encryption for another stranger. Take everything away, that still-unassigned; there, figures that make up the lines of buried forces, the surge of stifled conflicts and the knots of desires. The contradictions thus betrayed are amused in the acute dialectic of black and white (denial of gray), of the fixed and the moving (refusal of the immobile), of the full and the void (horror of the void). Imperative postulate of the baroque when the movement dooms the forms to tireless metamorphoses, to expansions which, as if to disavow the limits of the constraining sheet, throw the dimensions adrift. Swirls. Loops and tendrils, sinuses and spirals. Vortex. Dizziness of an imagination drunk with space: to see in their flight the lines of the drawing embracing the universe. Space of the sheet, space of a present, space of an instant ... Mirror sheets too, surfaces capturing chimeras reflections of ephemeral evidence. Multiplied, they confirm, combine, exchange in continuous progress their words to signify and to sign a quest which, without outcome or prologue, returns to its object only to lose it, pursue it again.
Jean-Clarence Lambert in "Victor Laks - feuilles de Présence" - Galerie Christiane Colin, November-December 1975 - Paris
1 800,00 €
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